$25K Creative Catalyst Award
Erie Art Company received Pennsylvania Creative Industries support to expand OPENFEED’s virtual residency model for experimental media artists.
Source: FEED.art ↗
Twenty-five years leading at the intersection of art, technology, and civic engagement — a creative technologist turning cultural organizations around through experimentation and play, capital campaigns, and ambitious programming. The throughline across every role is social sculpture: putting artists at the center of shaping a shared, more just future.
Twenty-five years at the intersection of art, technology, and civic engagement — the competencies behind every organization on this page.
A creative technologist bridges art, design, and computer science — prototyping fast, translating between disciplines, and building interactive experiences neither a standard developer nor a traditional designer would ship alone. Here's what that looks like in practice.
Working prototypes before big budgets: developing the Tinkerspace, FEED's hands-on makerspace, and building TINKER AGENT, its offline AI assistant; FEED_PLYr2, an adaptive video player driving gallery playback; an AR exhibit platform on MindAR and A-Frame; and SIGNAL, a self-built social content studio. Each one tested an idea in weeks, not quarters.
Fluent on both sides of the table — an IT governance, risk, and compliance analyst by day and a gallerist by night, turning grant language into artist opportunity and artist ideas into fundable plans. The white paper "Standards & Procedures for Citing AI-Generated & Digital Media" — with its Creative Audit Trail framework, archived on Zenodo — is that translation work made public.
The Broken Sculpture series turns dead flat-screens into bas-relief paintings; The Latent Atlas, an ongoing ritualistic AI installation, maps the strange geography of machine imagination; a 100-foot outdoor video façade — backed by a $100,000 Anchor Building grant — turns FEED's building into a public canvas; LiveFEED streams Erie's avant-garde globally; and CryptoArtkive preserves digital art provenance on Polygon and IPFS.
"Attribution is the foundation of honesty in art."— Bradley M. Ford
New work across artist support, digital preservation, public media, and augmented-reality placemaking.
Erie Art Company received Pennsylvania Creative Industries support to expand OPENFEED’s virtual residency model for experimental media artists.
Source: FEED.art ↗Co-authored a published framework for documenting and citing AI-generated and digital media, extending curatorial practice into preservation and authorship standards.
Source: FEED.art ↗Helped secure a $100,000 Anchor Building Grant to transform FEED’s historic State Street façade into a large-scale outdoor screen for real-time media art.
Source: Erie Art Company ↗Joined the Looking Glass Art Project team to add an augmented-reality layer to a public mural revealing the buried waters of Mill Creek.
Source: FEED.art ↗A digital-arts magazine and artist platform curating the frontier between screen-based work and IRL exhibition.
Developed with FEED Media Art Center and Erie Art Company, Pixel Plastic brings editorial publishing, artist portfolios, virtual residencies, video work, and open calls into one experimental ecosystem.
Surreal, hyper-real, and distinctly artificial imagery.
Work that bends and breaks AI models to expose the medium.
Video art that rejects conventional visual narratives.
Two connected investigations into what machines remember—and what people surrender to them.
PRESERVATION LAYERA preservation framework for keeping blockchain-based and generative art accessible after platforms, formats, and hardware change.
CryptoArtkive pairs decentralized storage with rigorous metadata, provenance mapping, emulation, and format future-proofing. Its focus is stewardship rather than speculation: preserving both the artwork and the cultural context surrounding it.
A ritualistic ledger where human “vessels” offer creative work to a machine that judges their alignment with its hidden truth.
Developed in dialogue with Josh Harris’s New Monolith proposal, the project turns identity, file uploads, vector similarity, and scoring into techno-religious ceremony—a Digital Dada critique of algorithmic authority.
Two decades-plus of programming — from festival grounds to gallery floors.
Leads the "Digital Dada" curatorial program at a media-art incubator focused on new media and immersive installation — launching the OPENFEED and Sandbox residencies, and curating site-specific shows like the Lake Erie Listening Project and Broken Sculpture.
Directs a civic arts nonprofit focused on placemaking and cultural preservation — leading a permanent public memorial for the 1915 Millcreek Flood, securing recurring ECGRA operating grants, and partnering with Gannon University and the Bayfront Maritime Museum on public science and arts education.
Helped turn a 70,000 sq. ft. historic industrial building into a multidisciplinary arts complex — orchestrating the $230k acquisition of the Mayer Building, a full ADA elevator retrofit, and the organization's shift from theater collective to nonprofit studio incubator.
Founded a non-commercial downtown gallery after three years of planning — "we need to get feet on the street" — activating vacant storefronts with juried shows like A Woman's Voice, lectures, and critiques, while housing his own studio. The gallery's early experiments in digital art and blockchain tokenization seeded what became CryptoArtkive; after closing its physical doors in 2021, it lives on through pop-ups and virtual installations.
Co-founded a coworking space built to bridge Erie's creative class and tech sector, housing IT entrepreneurs alongside fine artists and giving local talent a reason to stay downtown.
Ran an investor-relations and PR consultancy in Salt Lake City, building the creative strategy that helped small public companies move from pink-sheet and OTCBB listings toward a major national exchange.
Served as artistic lead for one of the largest multidisciplinary festivals in the American West — relocating the event to Library Square after the Olympics and overseeing 170+ visual artists and 100+ performing groups each year.
Installations, paintings, exhibitions, digital experiments, and character studies from Brad’s working archive.
“Inside every mind is a playground that doesn’t make sense.” The work moves between immersive environments, Kitsch painting, curatorial projects, and experiments with emerging technology.
Explore the full SuperBigFun archive ↗A running study series — the familiar silhouette worked over and over, each pass blinding, muzzling, or locking up the gaze a different way.
Press and program announcements from FEED's own newsroom.
Subscribe via RSSA broadcast series spotlighting Erie's arts-and-technology ecosystem, hosted by FEED.
Event feature on Franck Vigroux's ATOTAL performance staged live at FEED.
Coverage of FEED's first virtual residency model, blending remote collaboration with physical exhibition.
Podcast conversation with FEED founder Benton C. Bainbridge on the center's role in Erie's economy.
Funding announcement for the 100-foot outdoor video façade project at 1307 State Street.
Funder-side coverage of the Anchor Building Grant supporting FEED's façade project.
Program announcement naming the artists selected for FEED's Summer 2025 residency.
Event listing for FEEDback, a marathon night of music and media programming at FEED.
Open call listing for digital artists to apply to the OPEN FEED 2025 residency.
National press release syndicated across multiple outlets announcing the OPEN FEED 2025 call.
Program note connecting FEED's work to the Experimental Intermedia media-art lineage.
Press release naming the artists selected for the OPEN FEED 2025 residency program.
Feature article profiling FEED as Erie's home for electronic and media art.
Award video documenting FEED's recognition with the 2024 Greater Erie Award.
Interview profile on Benton C. Bainbridge and the founding of FEED.
Rust Belt wiring, sacred geometry, and cyberpunk circuitry — the visual grammar that runs underneath the paintings, the installations, and FEED's own signal.

No signal broadcasts alone. The partnerships that amplify the work — and keep it honest.
The founding partnership behind FEED — Bainbridge's decades in media art paired with Ford's institutional and curatorial leadership. Together they've built the EACo–FEED alliance, co-released the AI & digital media attribution framework on Zenodo, and turned a century-old anchor building into a world-class digital arts facility.
Collaboration with the pioneer behind Pseudo.com andQuiet: We Live in Public — a foundational figure of internet art whose surveillance-era experiments anticipated streaming culture by decades. Working within the FEED orbit, the partnership connects Erie's media-art scene to the deep lineage of net art itself.
An ongoing creative partnership within the FEED and Erie Art Company orbit — part of the trusted circle of artists and technologists Ford builds programs, exhibitions, and experiments with.
OPENFEED residency artists from around the globe, the Erie Art Company board, Gannon University's Project NePTWNE, the Bayfront Maritime Museum, Werner Books, and the funders — Erie Community Foundation, ECGRA, and the Anchor Building program — who've put trust behind the work.
"Paint in the Park," a public-art partnership with SSJNN, the grassroots ministry that's spent 25 years revitalizing Erie's Little Italy and eastside neighborhoods. Funded by an SSJNN grant and painted directly onto a park gazebo floor, the mural doubles as a wayfinding map — a sacred-geometry composition marking a starting point for the neighborhood's garden, art, and history walks. Painted with artist consultant Sarah Howard, alongside fellow artists Mike Trott, Theresa Gamble, Margo Wolfe, and Sabrina Ford, with community volunteers hand-painting every section.
Three organizations, one thread — building the platforms Erie's artists exhibit, work, and organize through.
A civic-focused arts organization dedicated to public history, community placemaking, and cultural preservation — sustained by recurring ECGRA operating grants and partnerships across the city's civic and educational institutions.
erieartcompany.com →FEED supports the creation, exhibition, preservation, education, and ongoing innovation of realtime media art in Erie's Downtown Arts District — part gallery, part arts incubator for interactive and data-driven creative technology.
feed.art →A 70,000 sq. ft. historic industrial facility turned multidisciplinary arts complex — a cornerstone of downtown Erie's regeneration, and proof that adaptive reuse and accessibility work can anchor a whole creative economy.